ROD THE MOD
“I like Rod. Did you? I once saw him at the Saddledome – in ’88, I think. It wasn’t until I glanced at all the big bangy hair around me, the rhinestoned purses, the sweaters of cashmere, that I realized the average Rod fan was a Camaro-driving secretary who wore Jordache jeans to high school in 79. Still...”
Mango Pudding Blues has stolen the above comment from some personal mail he received today from C., who always has something clever to say about everything. As noted in the past, we feel no compunction about cannibalizing our personal correspondence for you, our loyal readers. In fact, we felt quite relieved to be able to steal a few words from our pal, since we spent a few spare moments this morning trying to think of what to say here about Rod. We felt obligated to say something about him, having brought him up the day before, but at the same time, things are still so new between us, between you the reader and Mango Pudding Blues, and we want so much to please you, and we were a little bit afraid, like we always are when we meet someone new whom we would really like to be friends with. We know the safe route is to sneer at Rod, but we found Rod to be wholly likeable and entertaining, and we also found ourselves unexpectedly misty at the sight of all those cougars unguardedly, enthusiastically reliving their youths. And while we might wish that we had been to see, say, Lou Reed or someone like that to cement in your impressionable little minds just how fucking cool we are, the fact is, it was Rod we went to see. So. There it is.
C. assures us, by the way, that while Rod is the shit, the Trembling Blue Stars are even more the shit. Is even more the shit, I should say. Which brings us to a matter of style. In the case of collective nouns, such as the names of rock groups like the afore-mentioned Trembling Blue Stars, we prefer a singular verb. Ergo, the Trembling Blue Stars is the shit. The Velvet Underground is the shit. The NAC Orchestra is the shit. In this we differ from many popular publications, but we feel we are correct. Our long-suffering girlfriend Killer pointed out to us the other day that Fowler’s Modern English Usage is quite happy to allow a little leeway on this matter, but we are of the opinion that the third edition of Fowler’s that she is citing tends to allow a little too much leeway in many matters.
Which brings us to something we do feel a compunction about, and that is the degree to which this website has been, particularly lately, self-conscious. We know we’ve been talking about matters of links and grammar and headers (uh, we turfed that tropical stinker today) and such, and, in a larger sense, themes and reasons for being here and all of that, and we really feel that Mango Pudding Blues is in danger of disappearing up its own asshole. We will, starting soon, attempt to restrain ourselves. I mean, really! But on the other hand, some of this sort of housekeeping is necessary, this being our very very early days.
GAMINE
This is a transcript of a conversation I just had on the telephone with Killer. Killer was calling from the bilingual dictionary, where she works:
Me: Mango Pudding Blues.
K: Hi. It’s me. How would you describe Winona Ryder’s haircut?
MPB: Uh, the one you used to have?
K: Yeah.
MPB: (pause) uh, short?
K: Would you say “gamine” or “gamine-like”?
MPB: Didn’t I use “gamine” in a scrabble game once?
K: Did you?
MPB: It was either me or you. I think it was me, but I was desperate. I don’t even know what it means.
K: It’s a girl from the streets. Or maybe a thin girl.
MPB: Oh. Well, she could have any kind of hair, though.
K: What?
MPB: Well, she could have any haircut, this gamine.
K: What about “urchin”?
MPB: Ooh, even worse. A runty, filthy street kid.
K: No, an urchin is just a boy.
MPB: Well, okay, but it’s often collocated with “street”
K: Yeah, alright. What about “waif”?
MPB: Well, a waif is a skinny, sad street kid, and the word was adopted by the fashion press to describe the dissipated Kate Moss look. But a waif would have long, stringy, unwashed hair, not a pert, expensive Winona cut.
K: Yeah. Okay. Thanks.
MPB: Was that helpful?
K: Not really.
FREAKS VS. FREAKS
Okay, so my terrific technical assistant is a member of the Society For Creative Anachronism, those nuts who dress up all medieval-like and bash each other’s brains out with wooden swords. Anyway, she and her husband are holding a big SCA shindig and another friend of hers, who had been invited, told her that she, the friend, was being filmed for an episode on a documentary television show (on like the Love Network or some such thing) because she’s involved in a “polyamourous” union, which is to say she has two boyfriends and one girlfriend, or something like that, and they all do their thing together, and could they please allow the teevee cameras to follow them to this shindig as part of the documentary.
So, my technical assistant goes through all this worry and phone calls about whether this is a good idea, the deal being that some SCA members are hypersensitive to their already freaky public image, and they don’t want people like, say, me, people who already think they’re all a bunch of weirdos, to think that they’re also holding medieval orgies on top of bashing each other’s brains out. But at the same time, my technical assistant is totally committed to the idea that everyone should just do their own thing without guilt, so she finally tells all the hypersensitive types that it’s just too bad if people are that narrow-minded and unable to distinguish the SCA from the free love types.
And then her friend cancelled because some polyamourous types are hypersensitive about their already-freaky public image, and didn’t wanna be associated with the SCA.